Bookings are now open for our 2012 summer training excavation at Syon Park, Hounslow. More information and booking details can be found on our website: www.museumoflondon.org.uk/syon. Kath Creed, one of our key event organisers, explains how progress has been going so far. Back in March we hired a mechanical digger to open three trial trenches in the area of hoped for remains of Sir Richard Wynn’s house in Syon Park. Our first issue quickly arose when we realised that the remains weren’t quite where we thought they might be! We were hoping they would be here: A lovely open grassed […]
Welcome to the Museum of London blog - insightful and interesting digital content from our team.
Browse the blog, join in the conversation, and if you want to know more about the museum visit the main site.
The story of London Tweed
So this is how the story goes. In 1826 a London merchant decides to buy some cloth from a weaver in Hawick, a town in the Scottish borders famous for its cloth production. Very happy with his order, he decides to get some more but – crucially – misreads the weaver’s dashed handwriting. Instead of ‘twill’ this Londoner reads ‘tweed’, and assumes this new cloth must take after the River Tweed which runs fast and clear through the textile areas of lower Scotland. ‘Tweed’ and not ’twill’ has been the term used ever since.
From saintly to saucy: the medieval badge that wasn’t as innocent as it seemed
Cataloguing the Museum’s collection of medieval pilgrim badges for Collections Online has been a great opportunity for me to look really closely at our objects and sometimes to find out that items are not at all what they appear to be. A great example recently has been a tiny little badge in the shape of a comb.
Miss Levy’s Wedding Dress
This whole thing started a few years ago when a wedding dress came up at auction. Not being a wedding dress swooner I could nevertheless think of quite a few (entirely rational) reasons why the museum should acquire this particular example. For one thing it was made by Victor Stiebel, one of my favourite London couturiers. Secondly, we do not have enough of his creations (one never does) and they do not come up at auction very often. The dress also had an intriguing mystery inscription. We will get to that in a moment.