Have the recent TV and radio adaptations alongside celebrations for the upcoming 200th anniversary of the birth of Charles Dickens seen you revisit or read for the first time a work by this creative genius? If so there is still time to join our Dickens Book Club and share your thoughts on the work of this great author via Facebook and Twitter. We will be focusing on Bleak House in February, sharing favourite passages and our thoughts as we progress through this work. We will also be completing our reading of Barnaby Rudge from January, so do look out for updates here as […]
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The story of London Tweed
So this is how the story goes. In 1826 a London merchant decides to buy some cloth from a weaver in Hawick, a town in the Scottish borders famous for its cloth production. Very happy with his order, he decides to get some more but – crucially – misreads the weaver’s dashed handwriting. Instead of ‘twill’ this Londoner reads ‘tweed’, and assumes this new cloth must take after the River Tweed which runs fast and clear through the textile areas of lower Scotland. ‘Tweed’ and not ’twill’ has been the term used ever since.
Rhinestones and Nylon Net
Ever since watching The King and I (1956 version) at a very impressionable age, I have been rather fond of dancing (and crinolines – but that’s another story). My grandmothers and I spent many happy hours marvelling at the clothes, hairstyles and make-up of the participants in the World Championships broadcast on television.
Miss Levy’s Wedding Dress
This whole thing started a few years ago when a wedding dress came up at auction. Not being a wedding dress swooner I could nevertheless think of quite a few (entirely rational) reasons why the museum should acquire this particular example. For one thing it was made by Victor Stiebel, one of my favourite London couturiers. Secondly, we do not have enough of his creations (one never does) and they do not come up at auction very often. The dress also had an intriguing mystery inscription. We will get to that in a moment.