We are finally getting to the end of this story and as per usual I want to begin with some more objects from the Countess’s collection. The dress below, like the tomato-red number from the last entry, is also from the late 1920s and probably the most spectacular item from the Countess’s wardrobe. The top part is very Paco Rabanne and made of some chainmail-like mesh of blue thread and folded strips of metal. It must have looked spectacular and I like to think the Countess wore it with her very beautiful F Pinet shoes, possibly bought in the shop […]
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The story of London Tweed
So this is how the story goes. In 1826 a London merchant decides to buy some cloth from a weaver in Hawick, a town in the Scottish borders famous for its cloth production. Very happy with his order, he decides to get some more but – crucially – misreads the weaver’s dashed handwriting. Instead of ‘twill’ this Londoner reads ‘tweed’, and assumes this new cloth must take after the River Tweed which runs fast and clear through the textile areas of lower Scotland. ‘Tweed’ and not ’twill’ has been the term used ever since.
London Street Views 1840
New to London? Here for business or perhaps a little shopping? Looking for a specific building? These days we might use the internet or our smartphones to find the right places and navigate around the city, technology of which the Victorian visitor to London could only dream.
Miss Levy’s Wedding Dress
This whole thing started a few years ago when a wedding dress came up at auction. Not being a wedding dress swooner I could nevertheless think of quite a few (entirely rational) reasons why the museum should acquire this particular example. For one thing it was made by Victor Stiebel, one of my favourite London couturiers. Secondly, we do not have enough of his creations (one never does) and they do not come up at auction very often. The dress also had an intriguing mystery inscription. We will get to that in a moment.