Joanna Robinson looks back at the creation of the Dickens: Dark London app. Joanna is a PhD student working collaboratively with the Museum of London and the English department at King’s College, London. There must be a strange sense of anticlimax when an exhibition ends. Museum staff have followed Dickens and London through every stage – the months of research and careful planning, the hype surrounding its opening, and finally (as of Sunday 10 June 2012) an empty space where it has been. Yet this one is special, as even after the exhibit is dismantled Dickens and London will leave […]
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The story of London Tweed
So this is how the story goes. In 1826 a London merchant decides to buy some cloth from a weaver in Hawick, a town in the Scottish borders famous for its cloth production. Very happy with his order, he decides to get some more but – crucially – misreads the weaver’s dashed handwriting. Instead of ‘twill’ this Londoner reads ‘tweed’, and assumes this new cloth must take after the River Tweed which runs fast and clear through the textile areas of lower Scotland. ‘Tweed’ and not ’twill’ has been the term used ever since.
A starring role for the Suffragette collection
As curator of the museum’s wonderful Suffragette collection I often welcome ‘important’ visitors to the archive, captivated by the story of the women who endured imprisonment, hunger-strike and even force-feeding in their battle to win the vote.
Christina Broom: A pioneering photographer
It is almost a year now since I first laid eyes on an extraordinary private collection of photographs by Christina Broom.