Preparations begin for October’s Dickens Book Club novel, A Tale of Two Cities with our Marketing Officer, Anne McMeekin. October’s Dickens Book Club has already kicked off in my household, descending as I have into Dickens’ murky world of the year one thousand seven hundred and seventy five in A Tale of Two Cities. Despite having studied English Literature at university my Dickens readometer is a little stunted (blame the tutors). Great Expectations (favourite all-time novel) and Oliver Twist (precious few show tunes) are the only two books I have made it to the end of. Even my dad’s fervent […]
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The story of London Tweed
So this is how the story goes. In 1826 a London merchant decides to buy some cloth from a weaver in Hawick, a town in the Scottish borders famous for its cloth production. Very happy with his order, he decides to get some more but – crucially – misreads the weaver’s dashed handwriting. Instead of ‘twill’ this Londoner reads ‘tweed’, and assumes this new cloth must take after the River Tweed which runs fast and clear through the textile areas of lower Scotland. ‘Tweed’ and not ’twill’ has been the term used ever since.
A few weeks ago I found myself surrounded by fascists. I was on my way to the West End when at Tower Hill station a large group of French-speaking men with assorted girlfriends and wives (I presume) entered my tube carriage.
Miss Levy’s Wedding Dress
This whole thing started a few years ago when a wedding dress came up at auction. Not being a wedding dress swooner I could nevertheless think of quite a few (entirely rational) reasons why the museum should acquire this particular example. For one thing it was made by Victor Stiebel, one of my favourite London couturiers. Secondly, we do not have enough of his creations (one never does) and they do not come up at auction very often. The dress also had an intriguing mystery inscription. We will get to that in a moment.