Students and other assorted YPs (‘Young People’, as I like to call them these days) are a common sight in the costume store. (Strangely, Hilary and I are ‘fashion’ curators who manage the ‘dress’ collection held in the ‘costume’ store, but that’s another story). They often come alone or in groups, with or without tutors, to look at objects and to ask interesting questions. The visit recorded in these images (by Richard Stroud, one of the museum’s three photographers) was slightly different. The students had come to take photos for a micro site connected to the web pages of the […]
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The story of London Tweed
So this is how the story goes. In 1826 a London merchant decides to buy some cloth from a weaver in Hawick, a town in the Scottish borders famous for its cloth production. Very happy with his order, he decides to get some more but – crucially – misreads the weaver’s dashed handwriting. Instead of ‘twill’ this Londoner reads ‘tweed’, and assumes this new cloth must take after the River Tweed which runs fast and clear through the textile areas of lower Scotland. ‘Tweed’ and not ’twill’ has been the term used ever since.
London Street Views 1840
New to London? Here for business or perhaps a little shopping? Looking for a specific building? These days we might use the internet or our smartphones to find the right places and navigate around the city, technology of which the Victorian visitor to London could only dream.
Miss Levy’s Wedding Dress
This whole thing started a few years ago when a wedding dress came up at auction. Not being a wedding dress swooner I could nevertheless think of quite a few (entirely rational) reasons why the museum should acquire this particular example. For one thing it was made by Victor Stiebel, one of my favourite London couturiers. Secondly, we do not have enough of his creations (one never does) and they do not come up at auction very often. The dress also had an intriguing mystery inscription. We will get to that in a moment.