The museum’s Archaeological Archive has a long standing reputation for involving volunteers in improving access to our archaeology collections. For the past year funding from Arts Council England has allowed us to develop an entirely new project, inspired by the museum’s Collections Online project, to digitally ‘open up’ our immense collection of Roman hairpins. Read the full post
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The story of London Tweed
So this is how the story goes. In 1826 a London merchant decides to buy some cloth from a weaver in Hawick, a town in the Scottish borders famous for its cloth production. Very happy with his order, he decides to get some more but – crucially – misreads the weaver’s dashed handwriting. Instead of ‘twill’ this Londoner reads ‘tweed’, and assumes this new cloth must take after the River Tweed which runs fast and clear through the textile areas of lower Scotland. ‘Tweed’ and not ’twill’ has been the term used ever since.
A starring role for the Suffragette collection
As curator of the museum’s wonderful Suffragette collection I often welcome ‘important’ visitors to the archive, captivated by the story of the women who endured imprisonment, hunger-strike and even force-feeding in their battle to win the vote.
Looking after London’s ghosts…
When I first started working at the Museum of London’s Archaeological Archive I was told there was a ghost in our metal store. More Casper than Blair Witch, the ghost allegedly helped you find objects that had been ‘misplaced’. Sadly, I’ve never seen this ghost, but with 200,000 boxes containing millions of fragments of London’s history, I think it fair to say the ghosts of London’s past sit on our shelves.