Last month the Royal Shakespeare Company visited the Museum of London to research for our production of William Shakespeare’s Henry IV Part 1 and 2. We were at the beginning of our rehearsal process for the plays and as we analysed the text in the room we noticed how specific Shakespeare was being in his depiction of everyday life in Elizabethan London. As with the famous writer’s adage, ‘write what you know’, we could tell that in writing the tavern scenes Shakespeare was doing just that. Read the full post
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The story of London Tweed
So this is how the story goes. In 1826 a London merchant decides to buy some cloth from a weaver in Hawick, a town in the Scottish borders famous for its cloth production. Very happy with his order, he decides to get some more but – crucially – misreads the weaver’s dashed handwriting. Instead of ‘twill’ this Londoner reads ‘tweed’, and assumes this new cloth must take after the River Tweed which runs fast and clear through the textile areas of lower Scotland. ‘Tweed’ and not ’twill’ has been the term used ever since.
I Love You…I Love You Not: Victorian Valentine’s Day cards
When the Uniform penny post rocked up in 1840, it completely revolutionised the way in which people communicated. Sending letters and cards, such as those celebrating Valentine’s Day, became easier and cheaper and as a result a thriving business developed in central London.
Miss Levy’s Wedding Dress
This whole thing started a few years ago when a wedding dress came up at auction. Not being a wedding dress swooner I could nevertheless think of quite a few (entirely rational) reasons why the museum should acquire this particular example. For one thing it was made by Victor Stiebel, one of my favourite London couturiers. Secondly, we do not have enough of his creations (one never does) and they do not come up at auction very often. The dress also had an intriguing mystery inscription. We will get to that in a moment.