The London that Christina Broom knew and embraced as she embarked on her ventures with photography in 1903 would profoundly shape her ambitions, subject matter and way of working. Tradition, pageantry and ceremony, in keeping with the era, interweave Broom’s work. This might be deemed fairly conventional. Yet her compositions, approach and the access she determinedly obtained, indicative of this photographer’s strength of character, define and distinguish her images from the work of her contemporaries. Read the full post
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The story of London Tweed
So this is how the story goes. In 1826 a London merchant decides to buy some cloth from a weaver in Hawick, a town in the Scottish borders famous for its cloth production. Very happy with his order, he decides to get some more but – crucially – misreads the weaver’s dashed handwriting. Instead of ‘twill’ this Londoner reads ‘tweed’, and assumes this new cloth must take after the River Tweed which runs fast and clear through the textile areas of lower Scotland. ‘Tweed’ and not ’twill’ has been the term used ever since.
Christina Broom: A pioneering photographer
It is almost a year now since I first laid eyes on an extraordinary private collection of photographs by Christina Broom.
Sherlock Holmes trailer: You saw, but did you observe?
With only one week to go until our Sherlock Holmes exhibition opens to the public, we wanted to take a closer inspection at our trailer to reveal a few hidden clues as to what visitors might expect… you saw, but did you observe?