From the early 1950s through to the 1980s the photographer Henry Grant was out documenting the everyday lives and experiences of Londoners. He was a freelance photographer by trade but between assignments he would take pictures of the people of London. His photographs offer a window into the real lives of Londoners over four decades. His work starts with an austere post war London and includes his interest in demonstrations, immigrant communities, the rise of youth culture and children at play. The Exploring 20th Century London project, which has over 300 of his pictures online, has made this audio slideshow (click […]
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The story of London Tweed
So this is how the story goes. In 1826 a London merchant decides to buy some cloth from a weaver in Hawick, a town in the Scottish borders famous for its cloth production. Very happy with his order, he decides to get some more but – crucially – misreads the weaver’s dashed handwriting. Instead of ‘twill’ this Londoner reads ‘tweed’, and assumes this new cloth must take after the River Tweed which runs fast and clear through the textile areas of lower Scotland. ‘Tweed’ and not ’twill’ has been the term used ever since.
From saintly to saucy: the medieval badge that wasn’t as innocent as it seemed
Cataloguing the Museum’s collection of medieval pilgrim badges for Collections Online has been a great opportunity for me to look really closely at our objects and sometimes to find out that items are not at all what they appear to be. A great example recently has been a tiny little badge in the shape of a comb.
Rhinestones and Nylon Net
Ever since watching The King and I (1956 version) at a very impressionable age, I have been rather fond of dancing (and crinolines – but that’s another story). My grandmothers and I spent many happy hours marvelling at the clothes, hairstyles and make-up of the participants in the World Championships broadcast on television.