Following on from her blogs about William Raban’s film Nightwalks, the key objects within our Dickens and London exhibition, Dickens’ family portraits, and London pubs, this week PhD student, Joanna Robinson, looks at policing in Victorian London. Joanna is a PhD student working collaboratively with the Museum of London and the English department at King’s College, London. ‘And now the strokes began to fall like hail upon the gate, and on the strong building; for those who could not reach the door, spent their fierce rage on anything—even on the great blocks of stone, which shivered their weapons into fragments, […]
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The story of London Tweed
So this is how the story goes. In 1826 a London merchant decides to buy some cloth from a weaver in Hawick, a town in the Scottish borders famous for its cloth production. Very happy with his order, he decides to get some more but – crucially – misreads the weaver’s dashed handwriting. Instead of ‘twill’ this Londoner reads ‘tweed’, and assumes this new cloth must take after the River Tweed which runs fast and clear through the textile areas of lower Scotland. ‘Tweed’ and not ’twill’ has been the term used ever since.
Christina Broom: A pioneering photographer
It is almost a year now since I first laid eyes on an extraordinary private collection of photographs by Christina Broom.
The Great Dock Strike – 125 years on
“The St. Lawrence is mere water. The Missouri muddy water. The Thames is liquid history.” So declared John Burns – a great advocate of London’s history – when asked to compare the Thames against those other great rivers in 1929. Forty years earlier in 1889 Burns had been a towering figurehead of the Great Dock Strike, thus sealing his own place in those murky waters. As the 125th anniversary of the strike approaches (14 August – 16 September) it feels an opportune moment to reflect on what this particular passage of liquid history might mean today.