I feel sorry for bricks and tiles. They sit on our shelves at the Museum of London archaeological archive alongside thousands of shiny, beautiful, sexy objects which scream out to be looked at and admired. But the brick? Well it’s pretty much a lump of clay. So how can they compete with the rest? Impressions. Read the full post
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The story of London Tweed
So this is how the story goes. In 1826 a London merchant decides to buy some cloth from a weaver in Hawick, a town in the Scottish borders famous for its cloth production. Very happy with his order, he decides to get some more but – crucially – misreads the weaver’s dashed handwriting. Instead of ‘twill’ this Londoner reads ‘tweed’, and assumes this new cloth must take after the River Tweed which runs fast and clear through the textile areas of lower Scotland. ‘Tweed’ and not ’twill’ has been the term used ever since.
The case of the missing Sherlock Holmes film
Sherlock Holmes, the most famous fictional Londoner of all time, is also one of the most portrayed characters in film and television history. He has appeared onscreen for over a century, with the role assumed by countless actors – from William Gillette to Benedict Cumberbatch. As the Museum of London prepares for the largest temporary exhibition on the super sleuth for over sixty years, there remains a mystery unsolved regarding one such film.
Miss Levy’s Wedding Dress
This whole thing started a few years ago when a wedding dress came up at auction. Not being a wedding dress swooner I could nevertheless think of quite a few (entirely rational) reasons why the museum should acquire this particular example. For one thing it was made by Victor Stiebel, one of my favourite London couturiers. Secondly, we do not have enough of his creations (one never does) and they do not come up at auction very often. The dress also had an intriguing mystery inscription. We will get to that in a moment.