Following on from her post last year, Project Assistant, Ellie Miles, continues her work digitising the Museum of London’s theatrical portraits. “kaleidoscopes of changing pictures, echoes of the past” This is how Robert Louis Stevenson describes the theatrical portraits he collected as a child. I am working with the Museum’s collection of theatrical portraits, to publish them on Collections Online. Whilst researching the collection I read a very enthusiastic essay by Robert Louis Stevenson. The essay was first published in April 1884, in The Magazine of Art, and later that year appeared in Stevenson’s book Memories and Portraits. Stevenson’s essay […]
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The story of London Tweed
So this is how the story goes. In 1826 a London merchant decides to buy some cloth from a weaver in Hawick, a town in the Scottish borders famous for its cloth production. Very happy with his order, he decides to get some more but – crucially – misreads the weaver’s dashed handwriting. Instead of ‘twill’ this Londoner reads ‘tweed’, and assumes this new cloth must take after the River Tweed which runs fast and clear through the textile areas of lower Scotland. ‘Tweed’ and not ’twill’ has been the term used ever since.
I Love You…I Love You Not: Victorian Valentine’s Day cards
When the Uniform penny post rocked up in 1840, it completely revolutionised the way in which people communicated. Sending letters and cards, such as those celebrating Valentine’s Day, became easier and cheaper and as a result a thriving business developed in central London.
London Street Views 1840
New to London? Here for business or perhaps a little shopping? Looking for a specific building? These days we might use the internet or our smartphones to find the right places and navigate around the city, technology of which the Victorian visitor to London could only dream.