When we asked this question “nominate the plant or flower you think best symbolises London and we’ll aim to include in our new Central Courtyard” on our social media pages we noticed immediately that the Buddleia was the most popular response. And now, as the weather (we hope) turns milder, we are able to add a specially grown cutting to our Central Courtyard. Here you can see our Visitor Services Manager, Gerald, with Louise Nichols whose parents run a plant nursery and garden design business and who kindly donated the cutting to the Museum. The reason the buddleia proved to […]
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The story of London Tweed
So this is how the story goes. In 1826 a London merchant decides to buy some cloth from a weaver in Hawick, a town in the Scottish borders famous for its cloth production. Very happy with his order, he decides to get some more but – crucially – misreads the weaver’s dashed handwriting. Instead of ‘twill’ this Londoner reads ‘tweed’, and assumes this new cloth must take after the River Tweed which runs fast and clear through the textile areas of lower Scotland. ‘Tweed’ and not ’twill’ has been the term used ever since.
Miss Levy’s Wedding Dress
This whole thing started a few years ago when a wedding dress came up at auction. Not being a wedding dress swooner I could nevertheless think of quite a few (entirely rational) reasons why the museum should acquire this particular example. For one thing it was made by Victor Stiebel, one of my favourite London couturiers. Secondly, we do not have enough of his creations (one never does) and they do not come up at auction very often. The dress also had an intriguing mystery inscription. We will get to that in a moment.
I Love You…I Love You Not: Victorian Valentine’s Day cards
When the Uniform penny post rocked up in 1840, it completely revolutionised the way in which people communicated. Sending letters and cards, such as those celebrating Valentine’s Day, became easier and cheaper and as a result a thriving business developed in central London.